In case anyone is wondering where I might have been with my ramblings and random musical selections, you may note from the Last.FM widget over to the right that I have been happily continuing to listen to music, not including my vinyl and compact disc rotations (the latter being in-car listening). Mclusky's Mclusky Do Dallas, in all its vulgar glory, has occupied my turntable of late more than anything else in its white vinyl re-release form that appeared briefly in the collage of images that represented my collage of Record Store Day purchases this year. My car CD player has rotated endlessly, as it often does, based on where I am going, when and the whims of the moment.
What has interrupted my posting, however, was a recent influx and an attempt to catch up a backlog of complicated reissues.
To put this in a kind of perspective, here is an image of the purchases I've made in the last week, which is not totally out of character and should clarify any concerns about what on earth keeps me from focusing on a single release or artist to discuss them:
You can click to enlarge that sucker, and in the process see the sheer volume of stuff I just inundated myself with. For those who cannot make things out, here's a brief rundown:
Musings on music, old, new, popular and obscure. Post punk, metal, hip-hop, funk, and rock in general. A music fan with a desire to lose boundaries on what should and should not be listened to writes about experience in music from a listener's perspective, hopefully unhindered by prior expectation.
Showing posts with label Magazine. Show all posts
Showing posts with label Magazine. Show all posts
Friday, July 13, 2012
Sunday, April 22, 2012
Record Store Day
Barry Andrews - "Rossmore Road"
Bronski Beat - Age of Consent
Kate Bush - The Kick Inside [US Release]
Cursive - Burst and Bloom*
Dr. John - Locked Down
Patterson Hood and the Downtown 13 - "After It's Gone"*
Hüsker Dü - Candy Apple Grey
Hüsker Dü - Flip Your Wig
Iron Maiden - Powerslave
Josef K - "Heaven Sent" 12" Single
Peter Koppes - Manchild & Myth
Luna - Rendezvous*
Magazine - Real Life
Magazine - "Rhythm of Cruelty"
Mclusky - Mclusky Do Dallas
Mission of Burma - Forget
New Order - Movement
Pere Ubu - The Modern Dance
Post Marked Stamps #5 "Project Mercury" - Aspera Ad Astra/Haelah
Public Image Limited - Album
Public Image Limited - First Issue
The Replacements - Tim
Leon Russell - Leon Russell
*RSD Exclusive/Release. I missed out on the Minus the Bear and Ryan Adams singles...
Labels:
Aspera,
Bronski Beat,
CD Alley,
Cursive,
Dr. John,
Drive-By Truckers,
Hüsker Dü,
Iron Maiden,
Josef K,
Leon Russell,
Magazine,
Mission of Burma,
New Order,
Pere Ubu,
Public Image Ltd,
Replacements,
The Church,
XTC
Saturday, March 3, 2012
Times I Want Is Times Like This - We're Where the Action Is
While my immediate desire was to begin addressing the Beggars Banquet series of Omnibus releases, I'm going to set that aside for another day, as it was requested, quite reasonably, that I discuss the stores in the area I live in and that seems important in this day and age, as I'm not sure who does or does not know about them. As I'm writing this, making it a revolving series seems like a good idea, as I'm likely to wax poetic about a lot of them, or at least a few of them, to make sure I give a good approximation of the kind of variety each carries and what to expect from them.
If you live in the Triangle--the part of North Carolina so named for its set of three cities in relative proximity to each other: Chapel Hill, Durham and Raleigh--there are a number of music stores actually still present and doing interesting business and providing different advantages for those seeking music. We've lost some good ones, some not so good ones, and some middling ones, even in the time I've been around. Some persist, some persist for strange reasons, and some go for even more mystifying ones.
I frequent two stores for new music on a semi-regular basis, occasionally browsing one or two others, and dipping into a chunk of used stores even more erratically. It's a weird sort of community in general, but the persistence of independent music stores is a good thing. Most cover vinyl and CDs, and all of the sealed, new music purveyors also sell used material.
I'm not going to delve too much into vinyl, though I'll address the locations I've had luck with it, because I'm not enough of a connoisseur of the stuff to address who has the best, most pristine stock, or who is best for collectors. Me, I couldn't care less if what I just ran across that I want is a first pressing. It's a nice bonus if it is, and I can delight in stumbling across it, but I won't turn down second presses or even reissues.
The best place to start is probably the store that caused me to move to the area. About ten years ago, I visited Chapel Hill for the first time in my life, shortly after I'd started expanding my taste into modern independent music. I was in the midst of obsessions with At the Drive-In and Aphex Twin, and the former I could actually still find in places like Best Buy and Circuit City, but you'd be lucky to get past The Richard D. James Album or Come to Daddy (the US issue that combines the original, separate British singles into a single release) in the catalogue of an artist who has been releasing music since the early 1990's under various aliases. So when I went into this newfangled idea of an "independent music store," my new fascination with vinyl and my interest in these harder-to-find artists drove me to look in those places first.
If you live in the Triangle--the part of North Carolina so named for its set of three cities in relative proximity to each other: Chapel Hill, Durham and Raleigh--there are a number of music stores actually still present and doing interesting business and providing different advantages for those seeking music. We've lost some good ones, some not so good ones, and some middling ones, even in the time I've been around. Some persist, some persist for strange reasons, and some go for even more mystifying ones.
I frequent two stores for new music on a semi-regular basis, occasionally browsing one or two others, and dipping into a chunk of used stores even more erratically. It's a weird sort of community in general, but the persistence of independent music stores is a good thing. Most cover vinyl and CDs, and all of the sealed, new music purveyors also sell used material.
I'm not going to delve too much into vinyl, though I'll address the locations I've had luck with it, because I'm not enough of a connoisseur of the stuff to address who has the best, most pristine stock, or who is best for collectors. Me, I couldn't care less if what I just ran across that I want is a first pressing. It's a nice bonus if it is, and I can delight in stumbling across it, but I won't turn down second presses or even reissues.
The best place to start is probably the store that caused me to move to the area. About ten years ago, I visited Chapel Hill for the first time in my life, shortly after I'd started expanding my taste into modern independent music. I was in the midst of obsessions with At the Drive-In and Aphex Twin, and the former I could actually still find in places like Best Buy and Circuit City, but you'd be lucky to get past The Richard D. James Album or Come to Daddy (the US issue that combines the original, separate British singles into a single release) in the catalogue of an artist who has been releasing music since the early 1990's under various aliases. So when I went into this newfangled idea of an "independent music store," my new fascination with vinyl and my interest in these harder-to-find artists drove me to look in those places first.
Labels:
Aphex Twin,
CD Alley,
Jawbox,
Magazine,
music,
post punk,
Record stores
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